Rising No. All Rights Reserved, Estate of Julian Stanczak 2017, Courtesy Mitchell-Innes & Nash, NY. On that occasion, Grace Glueck of The New York Times noted that Mr. Stanczak’s work “has steadily become more refined and ingenious” and asked, “Who says Op Art is dead?”. Articles on his work appeared in Artforum and Art in America. In 1950 the family relocated to Cleveland, and in 1954 he earned a bachelor of fine arts degree from the Cleveland Institute of Art. In 1966 he was named a "New Talent" by Art in America magazine. 1970. He studied art at the Borough Polytechnic Institute for two years and devoted himself to the city’s art museums. “I did not want to be bombarded daily by the past,” he said. “I looked for anonymity of actions through nonreferential abstract art.”. Using art as an exploration of what it is to see, he fused many colorants and their gradations into a single color experience.
This was achieved partly by his delicately textured paint surfaces and partly by the soft light that often infiltrated his forms and patterns, the result of an infinitesimal adjustment of the shades of one or two colors.
His work was included in the Museum of Modern Art 's 1965 exhibition The Responsive Eye.
Saying he was 17 and not 14, Mr. Stanczak also joined — partly to eat, partly in the hope that the army’s doctors might help his arm.
Mr. Stanczak, his mother and his sister ended up spending six years in a Polish refugee camp in Uganda. Julian Stanczak was a Polish-born American painter best known for his contribution to the Op Art movement. His family said that he had died after a short illness. The depth of his knowledge, the remarkable keenness of his vision together with flawless execution has brought about the most significant art since the American Abstract Artists movement of a half century ago. Mr. Stanczak’s art evinced a tremendous geometric inventiveness. Julian Stanczak, né le 5 novembre 1928 à Borownica dans les Basses-Carpates (Pologne) et mort le 25 mars 2017 à Seven Hills (Ohio), est un peintre et graveur américain d'origine polonaise. L'artiste vivait et travaillait à Seven Hills avec sa femme, Barbara Stanczak, une sculptrice. He helped name the art movement to which he was linked in 1964 when his New York debut at the Martha Jackson Gallery was titled “Julian Stanczak: Optical Paintings.”. While critically derided, the exhibition set attendance records at the museum.
He constantly elaborated on the possibilities of parallel stripes, both straight and undulant; squares, both checkerboard and concentric; and grids, usually amplified by contrasting saturated colors. In 1942 the Soviet Union granted amnesty to imprisoned Polish citizens, and Mr. Stanczak and his family walked and hitchhiked 2,500 miles south to Tehran, where his father joined the Polish Army in exile. He was 88. In 1966 he was named a "New Talent" by Art in America magazine. It is a journey into the miracle of sight and an amplification of discoveries in that journey.
The Op Art movement was named after his first major show, Julian Stanczak: Optical Paintings, held at the Martha Jackson Gallery in New York in 1964. Mr. Stanczak survived pneumonia, encephalitis and near starvation, but overwork permanently incapacitated his right arm. A Poland-born American artist, Julian Stanczak explored the visual, psychological, and emotional resonance of color in his Op art paintings. Julian Stanczak, Abstract Painter, Dies at 88. In 1964, the year of his first New York show, he was appointed professor of painting at the Cleveland Institute of Art, where he taught for 38 years. “Color is abstract, universal,” he once said, “yet personal and private in experience. Julian Stanczak was born on Nov. 5, 1928, on his grandfather’s farm near the village of Borownica, Poland. Shapes pulsate, colors glow, and vertical lines shuffle and dance across his intensely energetic canvases.
He then studied for his master’s at Yale with Conrad Marca-Relli and Josef Albers, who was well known for his color theories (and who was also the oldest artist in the “Responsive Eye” exhibition). In 2012, Mr. Stanczak’s paintings were included in “Ghosts in the Machine,” a thematic exhibition at the New Museum in Manhattan. Using vibratory lines and complimentary color schemes, he created sophisticated optical effects. Julian Stanczak, the Op art painter who, despite physical difficulties, managed to create canvases with vibrant geometries and hypnotic motion, died in his home in Seven Hills, Ohio on March 25. When they made it worse, he deserted. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Mr. Stanczak was a firmly optimistic artist, despite injuries in a Soviet labor camp during World War II that rendered his dominant right arm useless. By then, renewed interest was bringing it back to life. But he did not have a solo show in New York until 2004, at the Stefan Stux Gallery, followed by another there in 2005. Reviewing that exhibition in Arts magazine, Donald Judd, then an emerging Minimalist sculptor, coined the phrase Op Art in a sardonic closing sentence, linking the upsurge in perceptual abstraction, as it was sometimes called, to the Museum of Modern Art’s plans to survey the trend. Julian Stanczak, né le 5 novembre 1928 à Borownica dans les Basses-Carpates (Pologne) et mort le 25 mars 2017 à Seven Hills (Ohio), est un peintre et graveur américain d'origine polonaise. "The art of Julian Stanczak is an exploration of what it is to see. But his work was far from anonymous. Julian Stanczak has through more than five decades of uninterrupted work shown us that his understanding of color has no peer. His death was confirmed by his New York gallery, Mitchell-Innes & Nash. Julian Stanczak explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian Suprematism and Constructivism, Stanczak creates abstract compositions full of vibrating colors and optical illusion. In 1940, during Russia’s occupation of the eastern half of the country, Mr. Stanczak and his family were caught up in the first wave of mass deportations of Poles to Siberian labor camps. It primarily affects us emotionally, not logically, as do tangible things.”. From 2010 to 2016, D. Wigmore Fine Art, a New York gallery, mounted six group shows examining different aspects of Op Art, including its manifestations in Ohio; the shows featured Mr. Stanczak’s work prominently. Mr. Stanczak, who became a United States citizen in 1957, taught at the Art Academy of Cincinnati for seven years. He produced some of the most emotionally gripping paintings associated with the Op trend. His work was included in the Museum of Modern Art's 1965 exhibition The Responsive Eye. In 2014, he had his first show with Mitchell-Innes & Nash. It represented around 100 artists, from 15 countries and nearly three generations, working in assorted optical or geometric styles. Similar to the works of Bridget Riley and Richard Anuszkiewicz; his precise geometric elements are blurred by layers of transparent color. He also admired the geometric patterns of the textiles from which Ugandan women made their clothing. G. W. Einstein Company, Inc at IFPDA Fine Art Print Fair Online Fall 2020, Thomas French Fine Art at IFPDA Fine Art Print Fair Online Fall 2020, Disciples of Josef Albers Take the Spotlight in Dallas.
Julian Stanczak, a Polish-born American abstract painter who rose to fame as a leading figure of the popular Op Art movement but slipped into obscurity when its reputation flagged, died on March 25 at his home in Seven Hills, Ohio, a Cleveland suburb. Represented by industry leading galleries. He is survived by his wife, Barbara Stanczak, a sculptor; their daughter, Danusia M. Casteel; their son, Krzys; two grandchildren; and a great-grandson. Indeed, Op Art went supernova in 1965, with the Modern’s exhibition “The Responsive Eye” (even though the museum avoided the term). His father worked in construction and built houses in addition to farming, and Julian loved to make things from wood, including furniture and toys.
Julian Stanczak has through more than five decades of uninterrupted work shown us that his understanding of color has no peer. Julian Stanczak, a Polish-born American abstract painter who rose to fame as a leading figure of the popular Op Art movement but slipped into obscurity when its … ", —Louis Zona, The Butler Museum of American Art, Youngstown, Ohio. He continued to exhibit frequently elsewhere, especially in galleries and museums across the Midwest; more than 90 museums in the United States and abroad ultimately acquired his work. They ended up cutting timber in the Ural Mountains, where conditions were brutal. By 1948, when his family was reunited in London, Mr. Stanczak was making small, patterned abstractions in bright colors or in black and white.
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