As a writer, he faces the near-end courageously — which is to say, with as little cockiness as possible. "The Chocolate Factory," R. Kelly: In the middle of a child porn scandal (of which he would eventually be cleared), R. Kelly decided to write with his heart in mind, and not that other body part that usually dictates his music, and delivered the best album of his career, with touching love songs and bluesy heartbreak ballads. 6.
St Vincent – ‘Strange Mercy’ (2011) A new hip-hop kingpin was crowned. 3. 5. 1," Jill Scott; "American Idiot," Green Day; "Lovers Rock," Sade; "The Breakthrough," Mary J. Blige. This is a riveting CD that never leaves those who hear it. A song that leaps movingly between verses about adolescent gender identity issues and immigrant bias makes a pretty solid mascot for an entire album in which the Seattle native is a proponent for what she calls “debilitating empathy.” Empowering empathy might be the phrase more listeners would pick, but maybe you should just go with her instinct on a record that does, in the end, floor you.
This is an album which is striving to be important from the outset, that’s bursting with Something To Say – and miraculously finds the words to express it. Radical theology, dead explorers, Buddhist balladry, gnomes aplenty. Are we ready to shake it off — the 2010s? Merchandise – ‘After The End’ (2014) The blank, beige cover art may have promised little, but the contents delivered in spades. A grainy polaroid of adolescence and ennui, partly autobiographical (Win and Will Butler’s upbringing in Houston, Texas was a key inspiration) but novelistic in its scope and heft. I teared up the second time I heard it, too.
A progression from their previous two records, ‘After The End’ moved into far more polished territory without losing what made Merchandise so interesting in the first place; Cox’s silky croon, David Vassalotti’s spiky, intricate guitar work. But what’s most interesting is how, in the title track and others, he wrestles with a God he doesn’t necessarily believe in — not just taking issue with his own mortality but with the humanity that’s fashioned itself in his image. 5. The Atlanta band certainly didn’t take much seriously on their infectiously rough first three albums – sample song titles: “Don’t Touch My Shit,” “Arthritis Sux,” “Haterade” – but they managed to kick things into a much higher gear on their fourth, demanding a greater degree of respect without losing any of their smartass edge. Lana Del Rey, ‘Ultraviolence’ When Lana Del Rey introduced herself to the world with 2012’s Born to … "Mama's Gun," Erykah Badu: "Because I'm cleva, when I bust a rhyme," Badu croons on one of the disc's tracks, "Cleva." This is a top 10 with, as you may have noticed, a lot of great female perspectives in it. While she wrote or cowrote massive global hits ranging from Icona Pop’s “I Love It” to Shawn Mendes and Camila Cabello’s “Senorita,” she seemed to spent the past five years doing everything except create a formal third album: She dropped two mixtapes, a flurry of one-off singles and in 2018 toured the world opening for Taylor Swift early in the evening and playing underground clubs at night — and that latter fact may crack the code of this brilliant album. Arctic Monkeys – ‘Suck It And See’ (2011) Mac DeMarco – ‘Salad Days’ (2014) But listening to this album, you forget about all that drama and get lost in her artistry — those sassy lyrics, the retro-soul and the emotional depth in her voice. City” (2012). Even at its darkest (and it gets plenty dark), “Summertime ‘06” never lacks a moral center. Four years ago, Polly Harvey reinvented the war album, and changed its shape and form and future forever. Frank Ocean, “Nostalgia, Ultra” (2013) / “Blonde” (2016), As beautiful, influential and innovative as Frank Ocean’s music has been over the past few years, he’s arguably been even more influential as a champion for what I guess we can call artist’s prerogative: He does what he wants, when he wants, and everyone just has to wait. Daft Punk – ‘Random Access Memories’ (2013)
Prior mixtape, 2011’s ‘Section 80’, had hinted at glory, but ‘good kid…’ was another beast altogether: lean and uncompromising, with daring dashes into the hip-hop unknown.
"Get Rich or Die Tryin'" 50 Cent: There's nothing particularly deep about this album, but when you make songs this good, you know what? But that could be a synopsis for this entire album, which grabs you as much by lyrics as it does by its musicality.
And it was thanks to these moments of vulnerability that her imperial phase began in earnest. "The College Dropout," Kanye West: The self-proclaimed "voice of the generation" first roared with his debut, changing the game of rap, from his production to his style.
The album that ushered in the moody, neon-lit synthpop that would define the rest of the decade, Ruth Radelet playing Nico to Johnny Jewel’s Velvet Underground-worthy cool. Kendrick Lamar – ‘Good Kid M.A.A.D.
The Weeknd himself worked this vein to a logical conclusion and then unveiled the superstar he’d apparently been hiding all along, but it’s rare to hear an R&B artist — and particularly an R&B producer — today who doesn’t owe this album a monumental debt. Like many graduates unleashed onto the metropolis with their heads swimming with ideas, Vampire Weekend experienced a creative explosion on third album ‘Modern Vampires…’, out to see just how far they could stretch the confines of pop music. PJ Harvey – ‘Let England Shake’ (2011), 2. Elvis Costello & the Imposters, “Look Now” (2018). “My heart is a poor judge, and it harbors an old grudge.” Of course, anyone who knows Mann knows she really harbors the ability to make all this clinical dysfunction sound very, very, very pretty. While these albums can sound at times like you’re in an apartment with stereo wars going on between both of your neighbors, more often it’s a gloriously impressionistic aural experience that stands up to hundreds of repeated listens. The band might have started out in hardcore punk bands but ‘After The End’ opened a new chapter. Kendrick Lamar – ‘Good Kid M.A.A.D.
Vampire Weekend – ‘Modern Vampires Of The City’ (20130, 16. ‘AM’ sounded like the beginning of Arctic Monkeys’ imperial period and for modern rock’n’roll too. But for an album to make the cut, it had to be more than just something to appreciate and put on a shelf. Popular music doesn’t get any better crafted, or — even with all the story-songs and character sketches here — any more deeply felt. 10.
17. It’s somehow indicative of Kendrick Lamar’s casual brilliance that he’d drop one of the greatest debut albums in history so seemingly effortlessly, then follow it with what might be the most jazz-heavy hip-hop LP to date, and then distill it all into a seasoned and mature third effort — all without appearing to break a sweat.
© Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Even back to her earliest Destiny’s Child days, Beyoncé was more of a confessional singer/songwriter than she was perhaps given credit for at the time. Here's hoping we can get that Amy back in the next decade. 9. As wonderful a wistfully romantic turn for her as that latest Grammy-winning album was, her most defining moment is still the album that brought her to the dance, in which Musgraves could flaunt her mobile-home cred along with her glamour, her tartness with her sweetness, her observational humor with her heartache.
6. 2. 10. To do what they do takes so long that the follow-up took 15 years, but “Wildflower” was well worth the wait (and even includes a few live vocals). “I can see your light on, calling me back to make the same mistake again,” she sings in the album’s closer. “I swear I don’t love the drama, it loves me,“ Swift swore in another of the … ), and the perspective of 10 years enables us to recognize that. Setting aside where he is today, both musically and otherwise, there’s no question that Kanye West may be the single most influential and important musical artist of the 2000s so far: Without Kanye, there could be no Drake and so many others. At this late stage in the game, Costello is almost completely a sympathetic character writer… and “Look Now” has a lot of musical character to it, too. Leonard Cohen, “You Want It Darker” (2016).
Yet after a weekend spent perusing archaic media I hadn’t touched in years (a.k.a. Kanye West, “My Beautiful Dark Twisted Fantasy” (2010).
The songwriting for ‘Lost In The Dream’ had come from a gnarly place of mental illness and all the loneliness and dislocation that comes with it. Metronomy – ‘The English Riviera’ (2011), 8. The irony? Billie Eilish, “When We All Fall Asleep, Where Do We Go?” (2019). 15. Brandi Carlile, “By the Way, I Forgive You” (2018). While he can crank out inspirational bangers with the best of them (see “Alright,” a song we could all use right about now), he can also serve up some of the most brain-twisting innovation that the genre has heard yes (witness “DNA”).
The shine coming off show business’s most spectacular legs can distract you from a thing like that.
And I’m not saying that to try and burnish my nonexistent tough-guy credentials – I’d probably be a much more emotionally healthy person if I cried more easily – it’s just not a reaction I have too often, especially not in response to something like a song.
Of course the narrative of the album moves from personal revenge to scorching the earth with positivity, with “Freedom” and “Formation” as the album’s great singles and climaxes.
It felt like a man spilling his psyche directly into your headphones and it was easily the Chicago artist’s best work to date. "Testimony: Vol 1. Albums released between January 1, 2010 and December 31, 2019 with 15 or more reviews in Metacritic's databas… It was more that I had come through a whole lot of pain and was in a better place, so the record reflects that.” And it was so brilliant we voted it album of the year in 2014.
The alien sounds on TNP’s second album ‘Hidden’ prompted comparisons with Radiohead’s more experimental work: an album that starts with the haunted, eerie woodwind of ‘Time Xone’ and the earth-quaking bombast of ‘We Want War’.
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