Through its towering scale, superb staging, and inventive structure, Dunkirk melds the micro and the macro with a formal daring that's breathtaking, along the way underscoring the unrivaled power of experiencing a truly epic film on a big screen. It includes movies released in previous years that earned money during 2017.
Using copious archival footage, newly recorded interviews with friends and collaborators, and, most illuminating of all, a tape-recorded 1996 interview with Helen made one month before her death, Kasper Collin's transfixing documentary I Called Him Morgan recounts this sad real-life saga as two separate stories—Lee's and Helen's—that eventually dovetailed, intertwined, and then combusted in horrific fashion. WAM has been your source for accurate theatrical release dates, entertainment news, posters & photos, free screenings, trailers, reviews and DVD release dates since 2004. Bong Joon Ho's Okja is many things at once: a rollicking kid's fable about the bond between a young South Korean girl (An Seo-hyun) and her genetically enhanced super-pig (named Okja); a satiric critique of the corporate food industry; a wacko comedy about transcending cultural boundaries; and a fantastical adventure full of kidnappings and chases, buoyed by over-the-top performances from Tilda Swinton and Jake Gyllenhaal, and culminating with a Times Square spectacular and a Holocaust-esque trip to the slaughterhouse.
Rent/buy on Amazon and iTunes. As easygoing as a country ballad (and its laconic star), director John Carroll Lynch’s film is short on dramatic incident but long on mood and heavy with philosophical substance, as Stanton’s Lucky grapples with issues of realism, happiness and what awaits us after we shuffle off our mortal coil.
The year’s most moving film, Michael Almereyda’s adaptation of Jordan Harrison’s Pulitzer Prize-nominated play takes a Twilight Zone-ish concept into surprisingly profound, poignant territory. 23 Split $138,291,365 Such orderliness is toppled by his relationship with a waitress, Alma (newcomer Vicky Krieps), who soon becomes his model and his companion in his house, which he also shares with his severely no-nonsense sister-partner Cyril (a transfixing Lesley Manville). Complete list of 2019 Movies Coming to Theaters. 1 Star Wars: The Last Jedi $620,181,382 2 Beauty and the Beast (2017) $504,014,165 3 Wonder Woman $412,563,408 4 Jumanji: Welcome to the Jungle $404,372,659 5 Guardians of the Galaxy Vol.
Complete list of 2018 Movies in Theaters.
The following movies earned over $100 million at the U.S. movie box office in 2017.
Like the dreamy love child of Amèlie's Jean-Pierre Jeunet and The Fly's David Cronenberg—except with quite a bit more singing and dancing from its fantastical femme fatales—Smoczynska's knockout debut charts its aquatic fairy tale creatures as they make a name for themselves as a pop duo known as "The Lure," along the way falling in love and chomping on unsuspecting (male and female) victims.
In the care of Shipibo shamans, she and other patients venture freely between lucid and hallucinatory states, and so too does the film, which proceeds in an oblique, waking-dream fashion. Suggesting a period piece version of a film noir saga as envisioned by Stanley Kubrick, this twisted feminist drama is rooted in contentious racial- and gender-warfare issues, employing a meticulous formalism to recount its cutthroat story about Katherine's at-any-cost attempts to attain liberation.
A bisexual Little Mermaid-by-way-of-vampire horrorshow scored to original New Wave-y tunes, it really is like nothing you've ever seen before. If a movie has not yet arrived in your town, but is playing in NYC, chances are, especially if from a major distributor, it will arrive in your town within a month of its original NYC release. In upstate New York, Kat (Mad Men's Kiernan Shipka) is left by her parents to spend winter break at her boarding school alongside more popular Rose (Lucy Boynton); meanwhile, Joan (Emma Roberts) endeavors to hitchhike her way to the school, eventually nabbing a ride with a contentious couple (James Remark and Lauren Holly).
Christopher Nolan dispenses with the exposition in favor of immersive aesthetics with Dunkirk, a dramatic account of the WWII evacuation of Dunkirk, France's beaches in 1941. Suspenseful and hilarious, despondent and optimistic, I Don't Feel at Home in This World Anymore is a masterful genre film, one that immerses itself in the small, painful indignities of everyday life, and then casts the battle against those wrongs as a serio-comic odyssey of sleuthing, heavy metal, and nunchakus. 5 Guardians of the Galaxy Vol.
29 Pitch Perfect 3 $104,897,530 Narratively speaking, there’s nothing Earth-shattering here, but Gerwig’s script has a razor-sharp sense of time, place and the roiling emotional turmoil of its protagonist, whose attempts to carve out a mature identity are authentically messy. 2 $389,813,101 6 Spider-Man: Homecoming $334,201,140 7 It WB (NL) $327,481,748 8 Thor: Ragnarok … WAM.
Energized by a hint of Apocalypse Now's into-the-wild madness, this entrancing period piece is at once a grand adventure, a social critique about class and intolerance, and a nuanced character study about an individual caught between his love for—and desire to escape—his environment.
Whether viewed on a big screen or via Netflix (its exclusive distributor), it's a wondrous whatsit unlike anything you've quite seen before. Colin Farrell and his The Lobster director Yorgos Lanthimos reteam for another bonkers social critique with The Killing of a Sacred Deer, a pitch-black comedy of misery whose laughs spring forth from the mounting insanity of its story. Rent/buy on Amazon and iTunes. Every product was carefully curated by an Esquire editor. Rent/buy on Amazon and iTunes. 3 Wonder Woman $412,563,408 6 Spider-Man: Homecoming $334,201,140 25 Transformers: The Last Knight $130,168,683 Vacillating between mirthful, madcap and morose on a dime, Bong's latest—about the heroine trying to reunite with Okja after the animal is reclaimed by the conglomerate that created her—is both all over the place and yet assuredly coherent. Copyright 2004-2019. The late Harry Dean Stanton could have received no better big-screen swan song than Lucky, a Western ode to the ravages of time, the mysteries of mortality, and the inimitable laid-back cool of its leading man. The revelations that finally materialize are of an unexpected and downright inexplicable sort, exposing the proceedings as a self-conscious biblical/Grimm’s fairy tale allegory about crime and punishment—as well as the cost of refusing to take responsibility for one’s actions. Posting ghastly video and still photos of ISIS atrocities in order to elicit global outrage and opposition, RBSS risks literal life and limb in its battle with terrorism, and to a significant extent, so too does Heineman via his doc, which embraces its subject's cause in order to effect change.
Rent/buy on Amazon and iTunes.
28 Baby Driver $107,825,862 32 Annabelle: Creation $102,092,201 Rent/buy on Amazon and iTunes. 21 Cars 3 $152,901,115 The hunt for a coveted list of covert agents follows, with KGB baddies and James McAvoy's dubious colleague complicating matters to a head-spinning degree. Intricately scripted and grandly performed by its stars (including an amusingly impossible Hoffman), it’s a superior companion piece to the director’s The Squid and the Whale, as compassionate as it is critical. Errol Morris’s Wormwood is a groundbreaking hybrid of non-fictional and fictional storytelling modes—although no matter how you classify it, it’s the year’s towering cinematic achievement. Set in 2002, her story is one of romantic ups-and-downs—with both Lucas Hedges and Timothée Chalamet playing romantic suitors—and familial tension, the latter felt in her strained relationship with her prickly mother (a phenomenal Laurie Metcalf). 13 Coco $209,726,015 You may be able to find more information about this and similar content at piano.io, Netflix/A24/Roadside Attractions/FilmRise.
Taking its name from a gallery installation designed to provide a safe space for citizens, Östlund’s saga concerns museum director Christian (Claes Bang), who finds himself at the center of a personal maelstrom thanks to, among other things, a marketing campaign that goes horribly awry, a tense relationship with a journalist (Elisabeth Moss), and a growing crisis caused by his attempts to reclaim his stolen cell phone. In this breakneck nocturnal thriller, Pattinson is Connie, a low-level hood who finds himself on a desperate search for bailout cash after a bank robbery goes awry and his accomplice—his mentally challenged brother Nick (Ben Safdie)—is arrested and given a one-way ticket to Rikers Island.
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