Cette perspective n’est pas inutile parce que l’ouvrage se termine sur un cliché intitulé 9.11.O1 qui pourrait confirmer la vieille idée moderniste selon laquelle les catastrophes peuvent faire des victimes par milliers mais ne tuer aucun poncif ni aucun lieu commun. His artistic response to the 9/11 tragedy was to create a series of 100 portraits of citizens who embody the spirit of America.
Andres Serrano, Torture, Collection Lambert, ed. MAN-Body in art from 1950-2000, exhibition catalogue from the ARKEN Museum of Modern Art, Skovvej, Denmark, 2000, illus. Serrano’s intention with these works is not to recreate specific medieval or renaissance religious paintings, nor to invest them with the iconoclasm that made his name in the 1980s, but rather to renew the genre of sacred portraiture: “Rather than destroy sacred icons,” says the artist, “I reinvent and reinforce them.”.
Anima E Corpo, published in Rome, 1995. Andres Serrano.
Andres Serrano – Holy Works
Phelan, Robert. Sur l’Amérique, ce qu’elle est, qui elle est.
Searching for the Spiritual, Depree Art Center and Gallery, Hope college, Holland, Michigan, 1997, illus. Fool’s Mask IV, Hever Castle, England (Torture) , 2015. Perils et Colères, exhibition catalogue from the capc Musée d'art contemporain de Bordeaux, September 1992. Tous droits réservés. Leonardo Lives, published by the Seattle Art Museum in association with University of Washington Press Seattle and London, 1997, illus. Haacke, Hans (Visual Artist) & Bourdieu, Pierre Free Exchange, May 23, 1995. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. The Feminism and Visual Culture Reader (Sight: Visual Culture), February 2003, p. 240. View Andres Serrano’s 942 artworks on artnet. McDarrah, Gloria S., Fred W. McDarrah and Timothy S. McDarrah, The Photography Encyclopedia, Schirmer Books, New York, 1999, p.444, 445, illus.
Serrano’s other subjects are equally thought-provoking, like butchered animals, New York’s homeless, members of the Ku Klux Klan, bodies found on the coroner’s slab in the morgue, or the infinite variations on human sexuality. The Citizen Artist: An Anthology from High Performance Magazine, 1978-1998, Volume1, Critical Press, Gardiner, New York, 1998, p.159-171. Insight Guide Museums and Galleries of New York City (Insight Guides Museums and Galleries Series. Andres Serrano: Body and Soul, essays by Bell Hooks, Bruce Ferguson and Amelia Arenas, published by Takarajima Books, New York 1995.
El Bello Genero, exhibition catalogue, Sala de Exposiciones Plaza de Espana, Madrid, April â June 2002, pp. Holy Works is the culmination of Andres Serrano's vision of Christian iconography, reinterpreted photographically for the present. Soulillou, Jacques. Awards; Biography; Series . Gould, Claudia and Valerie Smith, ed. Andres Serrano has held over 100 solo exhibitions in galleries and museums from Iceland to Australia. ©2020 Artnet Worldwide Corporation. Contact for price. The Nude in Contemporary Art, exhibition catalogue from the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1999, illus.
Gewalt/Geschafte, exhibition catalogue from the Neue Gesellschaft fur Bildende Kunst (German), 1994, pp.17-24. Veuillez consulter notre Politique de confidentialité pour en savoir plus sur les cookies. Los Gèneros de la Pintura, exhibition catalogue from the Centro Atlà ntico De Arte Moderno, Las Palmas, Gran Canaria, Spain, 1994, pp.55-58, 101, 103, 198. Te Perderá la carne, La (b)onda de David, Ecuador, 1999, cover illustration. Ludwig, Allen. ART: L’Age Contemporain: Une histoire des arts plastiques á la fin du XXe siècle, published by Editions Du Regard, Paris, 1997, illus. The Body Photographic, exhibition catalogue from the Contemporary Arts Center, New Orleans, curated by Lew Thomas, 1995. Fake, exhibition Catalogue, May 1988. Weintraub, Linda. SilvanaEditoriale, Bruxelles, Belgique, 2016, 239p. Parallax. 25 Years: A Retrospective, exhibition catalogue from the Cleveland Center for Contemporary Art, 1993, p.16.
published by The University of California Press, 1996. Art Since 1960, published by Thames and Hudson Ltd., London,1997, illus.
Andres Serrano, El dedo en la llaga, authors: Mieke Bal, Oliva MarÃa Rubio, exhibition catalogue, ARTIUM of Alava, Tecla Sala and PhotoEspaña, Araba, Spain, 2006, 210p.
436 - 437, ills. We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art.
Andres Serrano le moraliste La carrière de Andres Serrano s’est construite, dès ses débuts en 1987, sur le scandale, spécifiquement avec la représentation d’un Crucifix immergé dans l’urine. Rosiak, Mariusz.
Chasing Angels, exhibition catalogue from the Cristinerose Gallery, New York, with essay by G. Roger Denson, 1994, p. 31 illus. Description. Le Christ au miroir de la photographie contemporaine, author: Nathalie Dietschy, ed.
p. 95. Aldrich, Robert & Wotherspoon, Garry. Andres Serrano is an American photographer born in 1950, whose work has been labeled from blasphemous to beautiful.
Hjort, Ãystein. After Art: Rethinking 150 Years of Photography, exhibition catalogue from the Henry Art Gallery, University of Washington, Seattle, with essays by Chris Bruce and Andy Grundberg, 1994, p. 61 illus. Weintraub, Linda. He worked as an assistant art director at an advertising firm, before creating his first works in 1983. Archer, Michael. Seizing the Light: A History of Photography, McGraw Hill, 2000, p. 463, illus.
En continuant votre visite sur nos sites et nos applications, vous consentez à l’utilisation de ces cookies. Art Matters: How the Culture Wars Changed America, New York University Press, New York, 1999, illus. The Now Art Book, published by Korinsha Press and Co., Japan, 1996, pp. Shit, exhibition catalogue, Yvon Lambert Gallery. Serrano sait ce qu’il fait, il accomplit un rituel et raconte une histoire avec un début, un milieu et une fin. Angel: Angel, exhibition catalogue from Kunsthalle Wien, Austria, 1997, illus.
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