The Atlantic's Spencer Kornhaber described "The Man" as "one of the most straightforwardly catchy songs" on Lover, and further called it Swift's "most explicit musical statement on sexism". Songtexte, Lyrics, Übersetzungen & Hörproben von mehr als einer Million Musikern, Alben und Songs findest du hier kostenlos. [52] iHeartRadio's Paris Close commended that the video "does well to demonstrate how the hubris of male privilege plays out in the real world". She could kill you with a wink of her eye, Oh yeah, it was electric An animated lyric video for the song was released on February 7, 2020, exploring visual themes of women empowerment, feminism and workplace sexism. Swift challenges societal sexist double standards, with lyrics including a noteworthy reference to American actor Leonardo DiCaprio. The video features cameos from TikTok stars Loren Gray (the second most followed on the platform) and Dominic Toliver, actress Jayden Bartels, and Swift's father Scott Swift; actor Dwayne Johnson appears in a brief voice role. 'Cause they all started grooving So what, Here’s a free idea for Carrie Underwood‘s next quarantine DIY project: An extra shelf to display all her new awards. [42] Visual effects were handled by Ingenuity Studios, which previously worked on several of Swift's videos such as "Look What You Made Me Do", "End Game", "...Ready for It? Ballroom blitz [24][25] The single quickly became pop radio's most added song of the week dated January 27, 2020, picked up by 87 Mediabase-monitored pop stations. The recording process for Taylor Swift's seventh studio album Lover took under three months, and concluded in February 2019. Its a place where men can come together.
And it turned into a ballroom blitz
[47] Rolling Stone's Claire Shaffer stated that Swift "dons full drag to portray the worst of masculinity".
in April. [60], In honor of International Women's Day in 2020, "The Man" was added to playlists on streaming platforms such as Apple Music, Spotify and Tidal. My dreams are getting so strange
[73] Calling the video "intimate yet grand", Uproxx opined that the song "retains its earworm qualities in the acoustic rendition", despite the original version being "a catchy, synth-led tune". [5] Jordan Sargent of Spin negatively compared the song to "You Need to Calm Down", stating that the lyric "If I was a man, then I'd be the man" doesn't really offer much insight. A man tells his story (it's not a typical song, just a text with music, unrhymed), the text is very ironic, however he is not happy :) the plot: he found himself in a different city, got drunk and met a girl and so on. Because if we make a mistake, that's our fault, but if we strategize so that we won't make a mistake, we're calculating. I wanted to show how there's immediate approval and benefit of the doubt given, in a ridiculous way. There is a bit of a damned-if-we-do, damned-if-we-don't thing happening in music. [32][33][34] It reached number 21 on the UK Singles Chart. [18] Allie Gemmill of Teen Vogue stated that the song "gives women permission to keep challenging sexist double standards, and fans are here for it", adding that the "fierce" song includes "many incredibly good lyrics". They added that Swift "lit up" the stage, with just a single spotlight, "as she plays the acoustic guitar, the audience cheers along to the feminist anthem". Swift's alter-ego runs down a hallway giving high-fives to nineteen disembodied hands, alluding to double standards behind the walk of shame that women are often forced to take after a sexual encounter. Take a look overhead Hey, there There goes the Spider-Man. Ballroom blitz, Oh, I'm reaching out for something And the band started leaving It's, it's a ballroom blitz [41] The video's production team includes producer Jil Hardin, executive producer Rebecca Skinner, assistant director Joe Osborne, cinematographer Rodrigo Prieto, production designer Ethan Tobman, and makeup artist Bill Corso. Rosen also opined that the song's "most hard-hitting line is a plaintive rhetorical question that calls to mind a #MeToo movement slogan: #BelieveWomen". [14] Time's Raisa Bruner labeled the song as "a bombastic, empowering bop" that is "an anthem for anyone who's felt blocked by sexist double standards". Swift has always been a documentarian with her music, and. Ballroom blitz [45][46], Swift's masculine appearance as "Tyler Swift" has been compared with that of Christian Bale, Harry Styles, Jake Gyllenhaal and Joe Alwyn.[47][48]. Lover, the first album that Swift completely owns herself, is absent, but the word "karma" is written twice on the wall, a possible reference to Swift's plan to re-record her previous works thus lowering the value of the originals. And they all started grooving The hands are said to be a reference to the 19th amendment of the United States constitution, which granted women the right to vote in the country.
He further described the song as a "synth-strut mode very reminiscent of Haim" that "takes aim at sexist music industry and media double standards and just keeps firing bull's-eyes". The end credits list Swift as the director, writer, owner and star of the music video, Johnson as the voice of "The Man", and shows photos of Swift's transformation process into the male lead of the video. [46] Vogue's Hayley Maitland and Noami Pike described Swift's male alter ego as "the human embodiment of toxic masculinity". Grab a beer and drop your pants. "The Man" is a song recorded by American singer-songwriter Taylor Swift, for her seventh studio album, Lover (2019).
The video received critical acclaim for its concept and Swift's transformation into a man.
Now with a library of over 300,000 user-submitted interpretations, if you want a song interpreted, Lyric Interpretations is the place to be. And the girl in the corner said, "Boy, I wanna warn ya" "The Man" music video received critical acclaim upon release, with many commentators complimenting the video's concept, and praising Swift's "unrecognizable" and "award worthy" transformation into the male alter-ego. Exploring the meanings of songs since 2003. [43] Vox's Constance Grady opined that Swift is "one of our great pop storytellers", proved by the video that becomes "the climax of her quest to own her voice". When you appear, there's nothing left of you, ah-ha, Now the man in the back is ready to crack [12], "The Man" received acclaim from music critics. It's the Man Show! "The Man" is a song recorded by American singer-songwriter Taylor Swift, for her seventh studio album, Lover (2019). Ballroom blitz The Man Show Theme Lyrics The Man Show Lyrics. Last.fm Music | Copyright © 2020 CBS Interactive Inc. / All rights reserved. Truss stated: "And so that, in the words of the brilliant Taylor Swift in her new song, 'women are left running as fast as they can, wondering if they'd get there quicker if they were a man'. With "The Man" music video, I wanted to show a heightened reaction of how the world reacts to someone who's male, hot, rich, young and cocky. 23 Boy Band Slow Jams That Made You Believe In Love, NEW SONG: AC/DC - "Shot In The Dark" - LYRICS, HOT SONG: 21 Savage x Metro Boomin - "My Dawgâ" - LYRICS, NEW SONG: Rod Wave - POP SMOKE - "MOOD SWINGS" ft. Lil Tjay - LYRICS, Songs That Will Make You Cry Uncontrollably, NEW SONG: Shawn Mendes - "Wonder" - LYRICS, 15 Huge Stars Who Were Backup Singers First.
Swift alludes to the trial and the excuses women hear for not being believed about sexual misconduct, possibly, when she sings the lines: "What I was wearing / If I was rude." Taylor Swift's Tiny Desk Concert Is About to Drop", "Taylor Swift Performs Major Medley Of Hits, Brings Out Surprise Guests For 'Shake It Off' at 2019 AMAs", "Taylor Swift Teases 'The Man -- Live from Paris' Song & Video Release Date", "The Man (Live from Paris) / Taylor Swift", "Taylor Swift Releases 'The Man -- Live from Paris' Song and Video... and it's Glorious: Stream It Now", "Taylor Swift's New "The Man" Music Video Will Leave You Empowered", "Taylor Swift's Acoustic Live Performance Video Of 'The Man' Is Intimate Yet Grand", Austriancharts.at – Taylor Swift – The Man", "Taylor Swift Chart History (Canadian Hot 100)", "Taylor Swift Chart History (Canada CHR/Top 40)", "Taylor Swift Chart History (Canada Hot AC)", "EESTI TIPP-40 MUUSIKAS: Taylor Swifti "Lover" vallutas ka Eesti", "Top 20 Most Streamed International & Domestic Singles In Malaysia", Recording Industry Association of Malaysia, Portuguesecharts.com – Taylor Swift – The Man", "Taylor Swift Chart History (Adult Contemporary)", "Taylor Swift Chart History (Adult Pop Songs)", "Top AFP - Audiogest - Top 3000 Singles + EPs Digitais", "British single certifications – Taylor Swift – The Man", Recording Industry Association of America, "TAYLOR SWIFT "The Man" | (Radio Date: 14/02/2020)", https://en.wikipedia.org/w/index.php?title=The_Man_(Taylor_Swift_song)&oldid=985489914, All Wikipedia articles written in American English, Short description is different from Wikidata, Singlechart usages for Billboardcanadachrtop40, Singlechart usages for Billboardcanadahotac, Singlechart usages for Billboardadultcontemporary, Singlechart usages for Billboardadultpopsongs, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with streaming figures, Certification Table Entry usages for United States, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with streaming footnote, Creative Commons Attribution-ShareAlike License, John Rooney – assistant recording engineer, This page was last edited on 26 October 2020, at 07:17. As the fourth track on Lover, Swift wrote and produced the song with Joel Little. Swift reported radio DJ David Mueller for sexually assaulting her, never intended for her report to be made public, how her career would go if she were a man. "The Man" is a synth-pop[5][6] and electropop[7] song that features flashy harmonies and a murky synthesizer. Touching nothing's all I ever do Swift's transformation involved a "muscle suit", prosthetic makeup, eyebrow wigs, and facial sculptures, which took between four and six hours to apply each day. 'Cause they all stopped breathing "The Man" was serviced to the US adult contemporary and pop radio formats on January 27 and 28, 2020, as the fourth single from Lover. The Man Show Theme Song Lyrics. Quit your job and light a fart. And the girl in the corner said, "Boy, I wanna warn ya"
[64], In March 2020, British politician Liz Truss, the Secretary of State for International Trade and Minister for Women and Equalities of the United Kingdom, quoted the song's lyrics during a special International Women's Day debate in the British parliament, while talking about the need for gender equality across the workforce and greater protection for women against domestic violence. [8] Swift uses the actor as an example to explain sexism, singing "And they would toast to me, oh, let the players play/I'd be just like Leo in Saint-Tropez". [20] Writing for The New York Times, Jon Caramanica described the song as "excellent and pointed". [17], Writing for Elite Daily, Sade Spence and Kristen Perrone stated that the lyrics of the song are "super bold and carry a powerful message about women". She also stated that the song is "a brilliant portrayal of the subtle and not-so-subtle sexism women face every day". The only words I remember from the song: "I lost my wallet". Oh, I softly call you over I'd like to tell you everything I see, mm, Oh, I see a man at the back as a matter of fact
[45], Billboard's Rania Aniftos commended that Swift undergoes an "intense make-over" in the "visually stunning clip", to become a "bearded, belligerent corporate titan whose rocket fuel is non-stop high-fives, fist-pounds, empty praise and rounds of shots with his amped-up bros". Swift imagines the media's treatment of her if she were a man, over a uptempo production. It contains visual references to The Wolf of Wall Street (2013), a film involving the lyrically name-checked actor DiCaprio and cinematographer Prieto, and tennis player Serena Williams' match controversy with a chair umpire at the 2018 US Open Championships.
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